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I will be a speaker at the International Conference: “Territories that Matter: Gender, Art and Ecology”, organized by Universidad Autónoma de Madrid, Centro de Arte y Naturaleza-Fundación Beulas (CDAN) and Ayuntamiento de Huesca, in the city of Huesca, Spain. On November 23rd and 24th 2018.

The aim of this conference is to explore the intersections between contemporary art, gender issues, and political ecology. Since the 1960s, influenced by Second-Wave Feminism and ecofeminist theories, a great number of artists, specially women artists, have sought to transcend the traditional identification of women with the earth in order to consider, from a larger perspective, the complex interactions between gender politics and environmental issues. In recent years, artistic practices committed to feminism and the protection of the environment have been enhanced with new contributions: moving beyond the debates of early ecofeminism, feminist political ecologists suggest gender is a crucial variable – in relation to class, race and other relevant dimensions of political ecological life – in constituting access to, control over, and knowledge of natural resources, thus underlining the interconnection between patriarchy, colonialism, capitalism and extractivism. In addition, the new challenges of climate change act as powerful reminder of the social responsibility of the artist and the role of artistic education in promoting environmental ethics, while queer ecology and animal rights movements help us understand the relation between heteronormativity and speciesm.

“POP MOVES: Celebrating the Popular, Practicing the Urban” International Conference – London, UK.

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I’ll be a speaker at the International Conference: “Pop Moves: Celebrating the Popular, Practicing the Urban”, organised by University of East London, Stratford Square Campus, Sat Nov 18th 2017, from 9:45 am to 6:30 pm.

As part of their ten-year anniversary celebrations, The PoP [Performances of the Popular] Moves committee, in partnership with the CPAD research group at the University of East London, invites you to celebrate our annual conference. The conference engages with intersections between popular practices and the Urban: the city as a space where culture is created, represented and disputed.

Questions considered include:

What are the risks and opportunities that Urban environments provide for the emergence, spread and survival of popular practices?
How do notions of hybridity and cultural exchange operate between the Urban and the popular?
How does cultural memory intersect with popular practice in city environments?
What are the representations of city and bodies on screen?

“ART & SOCIAL ENGAGEMENT” International Conference – Vilnius, LT.

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I will be one of the keynote speakers for “Art and Social Engagement: Challenges and Opportunities” International Conference, Oct 26th and 27th 2017, at  Vilnius City Hall, Vilnius, Lithuania.

The conference  will bring together researchers, academics, artists, social workers and policymakers to discuss on the role of art in the way of social change. It aims to encourage debate around various forms and methods of applied art in the context of contemporary social, political, environmental, technological and
economic challenges. The conference will focus on the aesthetics, politics and history of applied art
with a particular focus on performing arts, existing and future potential role of socially engaged art practices.


“ENGAGE”: Public School for Social Engagement in Artistic Research – Milan, IT.

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I am one of the selected artists for “ENGAGE”: Artistic and Social Research Residency, curated by Viafarini DOCVA Foundation, in collaboration with the Municipality of Milan, at Fabbrica del Vapore, Milan, Italy, from Oct 11th to Oct 20th 2017.

ENGAGE is a training and research program, curated by Viafarini in collaboration with Sunugal, addressed to Italian and international artists, inviting them to spend a period of one week residency / workshop in Milan between 11 – 20 October 2017, in dialog with local social and creative mediators, aiming at researching and experimenting innovative ways of interaction between art practices and social sphere. The Public School will gather in Milan 20 artists whose practice implies interaction with local communities; research on contemporary collective imaginaries; analysis of the implications of great changes under way from an artistic as well as social, political and anthropological point of view. The selection took into account the ability of the artists to foster, through their practices, communication between diverse fields of knowledge: from science to religion, from economy to politics, so as to overstep the self-reference of art-based discourse, aiming towards the creation of alternative models of public action. During the School we will collectively discuss in depth strategies capable of making visible and intervening in issue linked to transcultural dialogue and social and urban exclusion and vulnerability such as: gender oppression; racism and xenophobia; discrimination and oppression based on religious belonging.


“PPSA”: Performance Philosophy School of Athens, 2nd International Symposium – Athens, GR.

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Happy to being part of the 2nd International Symposium of Performance Philosophy, Sept 23rd and 24th 2017, at EMST – National museum of Contemporary Art, Athens, Greece. I’ll be presenting my latest research project and leading a public workshop on “The Poetics of Embodiment”.


“OVERFLOW”, PSI#23: Performance Studies International Conference – Hamburg, DE”

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I’ll be a speaker and a participant of “OVERFLOW” Conference, organized by Performance Studies International and Universitat Hamburg. At Theater der Welt (“Theater of the World”), from 8th to 11th of June 2017.


400 artists and scholars will get together to present their work on the theme of overflow in performance. OverFlow focuses on abundance, transgression, and leakage instead of the usually evoked themes of lack, restriction, and loss. The idea of “flow”, of being fully immersed in the activity at hand, has gained prominence in the theories of subjectivity and collectivity, but also in the self-help industry as the pathway to happiness, wellness and a good life. OverFlow invites contributions by both scholars and artists that critically engage with “flow” and/or deal with the various facets of OverFlow in performative practices, aesthetic phenomena, and performance art. This also includes performance studies perspectives from different artistic and academic fields (in the humanities and social sciences) on the political, ethical, and social dimensions of overflow, spillage, and abundance.